Evoking the city's relentless energy and vibrancy of São Paulo, filmmaker Caetano's bracing drama focuses on those who inhabit the outskirts of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the wide-eyed young man seeks comfort in the arms of others.
On an evening out with his lively group of gay and non-binary friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler significantly older than his age. Illuminated by the wavering neon of a adult movie theater, their initial encounter is physical and passionate, with an tinge of peril. Ronaldo quickly introduces Wellington to the clandestine realm of prostitution and narcotics trafficking.
The film illustrates Wellington’s new life of crime with gentle sympathy instead of as a melodramatic morality play. Now going by the name of Baby, he engages in his paid liaisons with swaggering confidence and endearing innocence. To his patrons, Wellington provides not just his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, overflowing with crowded backstreets and colourful shopfronts, there’s a gnawing loneliness, as unmoored souls hold fast to one another for momentary bliss.
"The city might be riddled with risk, yet they are where they can forge familial bonds, too."
Ronaldo is at once a romantic interest and a sheltering paternal presence to Wellington, but their bond is sabotaged by jealousy and economic precarity. Threats from shady figures in the criminal underworld pale in comparison to the dread of state surveillance and incarceration, represented by the constant sight of police officers in the area.
Baby is especially potent as a keen observation of the lost people who have slipped through the gaps the system. The film functions as a poignant exploration into resilience, found community, and the quest for self within a demanding urban landscape.
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